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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 144.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 56.00)

Caravaggio. La Cappella Contarelli

chiudi

François Rouan. Tressages 1966-2016

Silvana Editoriale

Montpellier, Musée Fabre, February 2 - April 30, 2017.
Edited by Isabelle Monod-Fontaine, Michel Hilaire, Hilaire M. and Monod-Fontaine I.
English Text.
Cinisello Balsamo, 2017; paperback, pp. 200, 200 col. ill., cm 22,5x28.
(Arte Contemporanea).

series: Arte Contemporanea

ISBN: 88-366-3626-8 - EAN13: 9788836636266

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 0.5 kg


François Rouan - born in Montpellier in 1943 - is an artist with a fiercely independent mind and approach who questions the nature of painting, giving it a new depth and a sometimes disturbing complexity. A contemporary of the artists of the Supports-Surfaces group, Rouan was aware of their research but did not share their artistic solutions.
In 1965 he invented the technique of tressage (weaving), the subject of this catalogue. Not just a way of "painting on strips", as Jacques Lacan said in 1978, but also and above all a way of thinking.
This catalogue testifies both to the artist's historical importance and to the relevance of his work today. Published in connection with the retrospective exhibition of his work at the Musée Fabre, it brings together around sixty of the artist's most important paintings, covering fifty years of artistic production. They are accompanied by five essays and an illustrated chronology including images and previously unpublished archive documents.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci