Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Kristof Kintera. Post-Naturalia
Silvana Editoriale
Reggio Emilia, Collezione Maramotti, March 19 - July 30, 2017.
Texts by Douglas Kahn and Milo Vojtechovský.
Italian and English Text.
Cinisello Balsamo, 2017; paperback in a case, pp. 174, 200 col. ill., tavv., cm 17,5x23,5.
(Arte. 2).
ISBN: 88-366-3615-2 - EAN13: 9788836636150
Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)
Period: 1960- Contemporary Period
Languages:
Weight: 0.9 kg
Its title speaks for itself: the scenario in which our daily experience is inscribed both as individuals and as a community does not belong to the natural world any longer.
Kintera finds his way through the topic of "post-natural" with vivid visual suggestions which he leads with ironic, playful but also bitter spirit within the framework of a complex social and political questioning of our time, moved by the hope of raising awareness on an issue of great relevance today.
The artist's book is composed of two sections: Herbarium and Cuprum Factum. Through analogy, the first one strikes a dialogue with the new creations of synthetic beauty with historical drawings or etchings, or pages of herbariums with illustrations of plants, many drawn from the naturalistic Collections of the Civic Museums; the second collects texts and images describing the creative process of the works in the studio and those on display in the exhibition.










