Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
cover price: € n.d.
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Books included in the offer:
Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
FREE (cover price: € n.d.)
Le nuove boutique. Moda e design
Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.
FREE (cover price: € 43.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova
Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).
FREE (cover price: € 6.00)
Alta Moda, Grande Teatro
Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.
FREE (cover price: € 22.00)
Kristof Kintera. Post-Naturalia
Silvana Editoriale
Reggio Emilia, Collezione Maramotti, March 19 - July 30, 2017.
Texts by Douglas Kahn and Milo Vojtechovský.
Italian and English Text.
Cinisello Balsamo, 2017; paperback in a case, pp. 174, 200 col. ill., tavv., cm 17,5x23,5.
(Arte. 2).
ISBN: 88-366-3615-2 - EAN13: 9788836636150
Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)
Period: 1960- Contemporary Period
Languages:
Weight: 0.9 kg
Its title speaks for itself: the scenario in which our daily experience is inscribed both as individuals and as a community does not belong to the natural world any longer.
Kintera finds his way through the topic of "post-natural" with vivid visual suggestions which he leads with ironic, playful but also bitter spirit within the framework of a complex social and political questioning of our time, moved by the hope of raising awareness on an issue of great relevance today.
The artist's book is composed of two sections: Herbarium and Cuprum Factum. Through analogy, the first one strikes a dialogue with the new creations of synthetic beauty with historical drawings or etchings, or pages of herbariums with illustrations of plants, many drawn from the naturalistic Collections of the Civic Museums; the second collects texts and images describing the creative process of the works in the studio and those on display in the exhibition.











