Antonello da Messina.
Milano, Palazzo Reale, February 21 - June 2, 2019.
Edited by Giovanni Carlo Federico Villa, Cardona C., Villa G. C. F. and Caterina Cardona.
Milano, 2019; bound, pp. 299, 200 col. ill., cm 24x30.
(Arte Antica. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Antonello da Messina.
Milano, Palazzo Reale, February 21 - June 2, 2019.
Edited by Giovanni Carlo Federico Villa, Cardona C., Villa G. C. F. and Caterina Cardona.
Milano, 2019; bound, pp. 299, 200 col. ill., cm 24x30.
(Arte Antica. Cataloghi).
FREE (cover price: € n.d.)
John Dryden, Jr: Un viaggio in Sicilia e a Malta nel 1700-1701
Edited by Portale R.
Introduzione, traduzione e commento a cura di Rosario Portale ("A Voyage to Sicily and Malta". London, 1776).
La Spezia, 1999; paperback, pp. XXXVI-58, ill., 13 numbered out of text col. plates, cm 17x24.
(Viaggi e Viaggiatori in Sicilia. 1).
FREE (cover price: € 15.00)
Ritratto della Sicilia
Edited by Russo S.
La Spezia, 2000; paperback, pp. XXIV-42, ill., cm 16,5x24.
(Viaggi e Viaggiatori in Sicilia. 4).
FREE (cover price: € 20.00)
Lexicon. Storie e architettura in Sicilia. 4. 2007
Palermo, 2007; paperback, pp. 72, b/w and col. ill., cm 21x30.
(Lexicon. Storie e architettura in Sicilia. Rivista semestrale diretta dal prof. Marco Rosario. 4/2007).
FREE (cover price: € 15.00)
Lexicon. Storie e architettura in Sicilia. 5-6. 2007-2008. Dal tardogotico al rinascimento
Palermo, 2008; paperback, pp. 144, b/w ill., cm 21x30.
(Lexicon. Storie e architettura in Sicilia. Rivista semestrale di Storia dell'Architettura. 5-6. 2007-2008).
FREE (cover price: € 30.00)
ZEUS. Noir Eclair Black Lighting
Silvana Editoriale
Château De Vincennes, September 16, 2016 - January 29, 2017.
Edited by Deparis-Yafil M.
English and French Text.
Cinisello Balsamo, 2016; paperback, pp. 120, 80 col. ill., cm 21x28,5.
(Arte).
series: Arte
ISBN: 88-366-3403-6 - EAN13: 9788836634033
Subject: Monographs (Sculpture and Decorative Arts)
Languages:
Weight: 0.79 kg
The works presented, which make use of numerous collaborations and technologies, are displayed in the outdoor spaces, in the Sainte-Chapelle and on the various levels of the castle's keep. Clean graffiti, invisible graffiti, liquidating logos, "visual attacks," together with photographs, installations, sculptures and paintings establish a sort of new retrospective- prospective, reinterpreting practices in which the artist was a pioneer.











