LATEST ART BOOKS
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Giacomo Manzù. Sculptor and Draughtsman
Silvana Editoriale
London, Estorick Collection of Modern Italian Art, January 15 - April 3, 2016.
English Text.
Cinisello Balsamo, 2016; paperback, pp. 80, 40 col. ill., cm 17x24.
(Arte).
series: Arte
ISBN: 88-366-3299-8 - EAN13: 9788836632992
Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Sculpture and Decorative Arts),Sculpture
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages: 
Weight: 0.3 kg
And yet, as sensitive to line as he was to form, his drawings exhibit the same restrained power and sinuous qualities that are familiar to us from his more celebrated three-dimensional work and bas-reliefs.
Early in his career Manzù appropriated Christian iconography to make passionate and unflinching indictments of Nazi- Fascist violence. In the post-war era he would establish himself as one of Italy's foremost sculptors of religious subjects;
yet like his contemporary, Emilio Greco, the artist was as drawn to the sensual world as he was to that of the spirit.
Organised with Bologna's Galleria d'Arte Maggiore, this exhibition celebrates one of modern Italian art's undisputed masters.
