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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

Giacomo Manzù. Sculptor and Draughtsman

Silvana Editoriale

London, Estorick Collection of Modern Italian Art, January 15 - April 3, 2016.
English Text.
Cinisello Balsamo, 2016; paperback, pp. 80, 40 col. ill., cm 17x24.
(Arte).

series: Arte

ISBN: 88-366-3299-8 - EAN13: 9788836632992

Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Sculpture and Decorative Arts),Sculpture

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Languages:  english text  

Weight: 0.3 kg


A true great of twentieth-century sculpture, Giacomo Manzù (1908-1991) is renowned for his delicate and moving work focusing predominantly on portraiture and religious imagery.
And yet, as sensitive to line as he was to form, his drawings exhibit the same restrained power and sinuous qualities that are familiar to us from his more celebrated three-dimensional work and bas-reliefs.
Early in his career Manzù appropriated Christian iconography to make passionate and unflinching indictments of Nazi- Fascist violence. In the post-war era he would establish himself as one of Italy's foremost sculptors of religious subjects;
yet like his contemporary, Emilio Greco, the artist was as drawn to the sensual world as he was to that of the spirit.
Organised with Bologna's Galleria d'Arte Maggiore, this exhibition celebrates one of modern Italian art's undisputed masters.

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