LATEST ART BOOKS
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Andres Serrano. Denizens of Brussels. Residents of New York
Silvana Editoriale
English, French and Dutch Text.
Cinisello Balsamo, 2016; hardback, pp. 192, 100 col. ill., cm 24x29.
(Cataloghi di Mostre).
series: Cataloghi di Mostre
ISBN: 88-366-3259-9 - EAN13: 9788836632596
Subject: Collections,Photography
Languages: 
Weight: 1.305 kg
The first, Residents of New York, was produced in the artist's hometown in 2014 and the second, Denizens of Brussels, in March 2015 in close cooperation with the Musées Royaux des Beaux-Arts during preparations for Serrano's retrospective in Brussels, when he walked the streets of the capital for ten nights to encounter the most marginal of its inhabitants.
With his unique vision, making no judgements and conveying no political message (a point he insists on), he presents men and women generally invisible to passersby, forcing us by the sheer power of his photographs to see these residents and denizens.
The text is by Michel Draguet and Andres Serrano himself talks about his approach, the two series and the specific qualities of each.
