Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
cover price: € 33.00
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Books included in the offer:
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
FREE (cover price: € 33.00)
Studi su Arturo Martini. Per Ofelia
Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.
FREE (cover price: € 29.00)
Canova. L'invenzione della gloria. Disegni, dipinti e sculture.
Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.
FREE (cover price: € 35.00)
Matisse Et la Gravure. L'Autre Instrument. Matisse and Engraving. The Other Instrument
Silvana Editoriale
Edited by Deparpe P.
Le Cateau-Cambrésis (France), Musée départemental Matisse, October 2015 - March 2016.
English and French Text.
Cinisello Balsamo, 2015; paperback, pp. 256, 250 b/w and col. ill., 250 b/w and col. plates, cm 24x28.
(Arte).
series: Arte
ISBN: 88-366-3245-9 - EAN13: 9788836632459
Subject: Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing)
Period: 1800-1960 (XIX-XX) Modern Period
Languages:
Weight: 1.56 kg
The Matisse Departmental Museum, with the help of the Matisse family, and notably Barbara Duthuit, and some most prestigious institutions, explores in this catalogue all of the engraving techniques used by Matisse from 1900 and up to the end of his life. For him, engraving, drawing, painting, sculpture all had the same importance, and in this work all the key themes, which led him to build his research around the human figure, are represented.
For the very first time the matrices (woodcut, lithograph, drypoint, etching, linocut...) accompany the works and help us to understand that high standards and hard work, along with an economy of means, led Matisse to transform black into a colour that he used to serve the purity of line.