Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
ELAN. European Landart Network
Silvana Editoriale
English Text.
Cinisello Balsamo, 2015; clothbound, pp. 144, 120 col. ill., cm 24,5x29,5.
(Cataloghi di Mostre).
series: Cataloghi di Mostre
ISBN: 88-366-3188-6 - EAN13: 9788836631889
Subject: Collections,Essays (Art or Architecture),Gardens and Parks,Graphic Arts (Prints, Drawings, Engravings, Miniatures),Painting,Sculpture,Wood (Frames, Carving, Furniture, Tarsia)
Period: 1960- Contemporary Period
Languages:
Weight: 1.255 kg
In 2014 two institutions from France and Sweden enriched the partnership. It is an aim of the close cooperation of the six partners to enhance the transnational distribution of landscape art and cross-border mobility of artists;
to communicate the diversity of European culture visible in the different approaches to Land Art and landscape at the partner organisations; to gradually open the network for Land Art institutions in other countries within the European Union; and thereby to foster European integration and cultural identity without hampering regional characteristics of landscape and Land Art.










