LATEST ART BOOKS
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Pablo Echaurren. Iconoclast. Catalogo della mostra (Londra, 19 marzo-18 maggio 2014). Ediz. italiana e inglese
Silvana Editoriale
London, Estorick Collection, March 19 - May 18, 2014.
Italian and English Text.
Cinisello Balsamo, 2014; paperback, pp. 64, b/w and col. ill., cm 17x24.
(Cataloghi di Mostre).
series: Cataloghi di Mostre
ISBN: 88-366-2836-2 - EAN13: 9788836628360
Subject: Collections,DigitalArt,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing)
Period: 1960- Contemporary Period
Languages: 
Weight: 0.285 kg
In his collages, the artist - son of the Surrealist painter Sebastian Matta - assembles scraps of paper, old and new, and cut-out fragments of Futurist newspapers and books, mixing the sacred and the profane through references to both the historical avant-garde and cartoon characters.
Bold juxtapositions that, in the spirit of iconoclasm and love for the paper world, represent the other, dark, desecrating side of bibliophilic activity.
In an ars combinatoria aimed to stun and bewilder, he brazenly mixes the high and the low in surprising pairings, reinterpreting and renewing a genre that the avantgardes themselves had codified.
