Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere
Edited by Orlando Anna and Francesco Rotatori.
Genova, 2023; paperback, pp. 304, col. ill., cm 23x29.
cover price: € 150.00
|
Books included in the offer:
Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere
Edited by Orlando Anna and Francesco Rotatori.
Genova, 2023; paperback, pp. 304, col. ill., cm 23x29.
FREE (cover price: € 150.00)
Giovan Antonio Dosio Da San Gimignano Architetto e Scultor Fiorentino tra Roma, Firenze e Napoli
Edited by Emanuele Barletti.
Photographs by BACHerin Paolo and Saverio De Meo.
Prima edizione 2011.
Firenze, 2011; bound, pp. 844, b/w and col. ill., tavv., cm 24x28,5.
FREE (cover price: € 98.00)
Vincenzo Meucci
Co-Editore: Cassa di Risparmio di Firenze.
Firenze, 2015; hardback, pp. 304, col. ill., cm 25x29,5.
(Arte).
FREE (cover price: € 50.00)
Gherardo Bosio. Opera Completa 1927-1941
Firenze, 2016; paperback, pp. 368, b/w and col. ill., cm 23x28.
(Architetti del Novecento. Storia e archivi).
FREE (cover price: € 60.00)
Pablo Echaurren. Iconoclast. Catalogo della mostra (Londra, 19 marzo-18 maggio 2014). Ediz. italiana e inglese
Silvana Editoriale
London, Estorick Collection, March 19 - May 18, 2014.
Italian and English Text.
Cinisello Balsamo, 2014; paperback, pp. 64, b/w and col. ill., cm 17x24.
(Cataloghi di Mostre).
series: Cataloghi di Mostre
ISBN: 88-366-2836-2 - EAN13: 9788836628360
Subject: Collections,DigitalArt,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing)
Period: 1960- Contemporary Period
Languages:
Weight: 0.285 kg
In his collages, the artist - son of the Surrealist painter Sebastian Matta - assembles scraps of paper, old and new, and cut-out fragments of Futurist newspapers and books, mixing the sacred and the profane through references to both the historical avant-garde and cartoon characters.
Bold juxtapositions that, in the spirit of iconoclasm and love for the paper world, represent the other, dark, desecrating side of bibliophilic activity.
In an ars combinatoria aimed to stun and bewilder, he brazenly mixes the high and the low in surprising pairings, reinterpreting and renewing a genre that the avantgardes themselves had codified.










