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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

Francesca Woodman's. Notebook

Silvana Editoriale

Facsimile edition in a cardboard box with George Woodman's afterword.
English Text.
Cinisello Balsamo, 2011; paperback in a case, pp. 24, b/w ill., cm 21x15.
(Quaderni d'Arte).

series: Quaderni d'Arte

ISBN: 88-366-2117-1 - EAN13: 9788836621170

Subject: Collections,Photography

Languages:  english text  

Weight: 0.327 kg


Francesca Woodman (Denver, 1958 - New York, 1981) - sensitive and troubled American photographer, considered at our times one of the most intense artists in the XX century - produced, during her short life that she decided to interrupt at the age of 22, six artist's books.
They are refined and evocative objects, created from old school notebooks found in Rome, in which she transcribed in an elegant and small handwriting various texts and poems, in French and in Italian, and on which she affixed a sequence of some of her photographs.
A precious facsimile edition presents for the first time one of these notebooks, chosen by Francesca's family for its beauty.
Black and white images are covered, like in the original notebook, by a translucent film that makes the contrast with the notebook paper even more evocative.
This object shows, in the narrative sequence, how Francesca Woodman herself perceived her photographs, thus revealing an intimate and so far unaccessible aspect of this artist.
An afterword by George Woodman, Francesca's father, completes the work.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci