Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Francesca Woodman's. Notebook
Silvana Editoriale
Facsimile edition in a cardboard box with George Woodman's afterword.
English Text.
Cinisello Balsamo, 2011; paperback in a case, pp. 24, b/w ill., cm 21x15.
(Quaderni d'Arte).
series: Quaderni d'Arte
ISBN: 88-366-2117-1 - EAN13: 9788836621170
Subject: Collections,Photography
Languages:
Weight: 0.327 kg
They are refined and evocative objects, created from old school notebooks found in Rome, in which she transcribed in an elegant and small handwriting various texts and poems, in French and in Italian, and on which she affixed a sequence of some of her photographs.
A precious facsimile edition presents for the first time one of these notebooks, chosen by Francesca's family for its beauty.
Black and white images are covered, like in the original notebook, by a translucent film that makes the contrast with the notebook paper even more evocative.
This object shows, in the narrative sequence, how Francesca Woodman herself perceived her photographs, thus revealing an intimate and so far unaccessible aspect of this artist.
An afterword by George Woodman, Francesca's father, completes the work.










