Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Francesca Woodman's. Notebook
Silvana Editoriale
Facsimile edition in a cardboard box with George Woodman's afterword.
English Text.
Cinisello Balsamo, 2011; paperback in a case, pp. 24, b/w ill., cm 21x15.
(Quaderni d'Arte).
series: Quaderni d'Arte
ISBN: 88-366-2117-1 - EAN13: 9788836621170
Subject: Collections,Photography
Languages:
Weight: 0.327 kg
They are refined and evocative objects, created from old school notebooks found in Rome, in which she transcribed in an elegant and small handwriting various texts and poems, in French and in Italian, and on which she affixed a sequence of some of her photographs.
A precious facsimile edition presents for the first time one of these notebooks, chosen by Francesca's family for its beauty.
Black and white images are covered, like in the original notebook, by a translucent film that makes the contrast with the notebook paper even more evocative.
This object shows, in the narrative sequence, how Francesca Woodman herself perceived her photographs, thus revealing an intimate and so far unaccessible aspect of this artist.
An afterword by George Woodman, Francesca's father, completes the work.










