Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
cover price: € n.d.
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Books included in the offer:
Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
FREE (cover price: € n.d.)
Le nuove boutique. Moda e design
Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.
FREE (cover price: € 43.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova
Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).
FREE (cover price: € 6.00)
Alta Moda, Grande Teatro
Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.
FREE (cover price: € 22.00)
Die letzte Freiheit. The Final Freedom. Von den Pionieren der Land-Art der 1960er Jahre bis zur Natur im Cyberspace. From the Pioneers of Land Art in the 1960s to Nature in Cyberspace
Silvana Editoriale
Edited by Reifenscheid B.
Koblenz, Ludwig Museum, 10 April - 16 October 2011.
English and German Text.
Cinisello Balsamo, 2011; paperback, pp. 192, 120 col. ill., cm 24x28.
ISBN: 88-366-2002-7 - EAN13: 9788836620029
Subject: Collections,Essays (Art or Architecture),Sculpture
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Extra: New Media
Languages:
Weight: 1.13 kg
Nature was altered through nature. The almost scientific approach of the first, primarily American "Land Art"- artists - like Robert Smithson, Nancy Holt or Dennis Oppenheim - was replaced more and more by mostly aesthetic interventions and finally substituted by Andy Goldsworthy's and David Nash's highly sensitive compositions totally inspired by nature. The most recent approaches - the artificial world of cyberspace - will be incorporated in the form of a concluding glimpse ahead.
The history of these developments goes back nearly fifty years, and in these decades numerous changes in terms of positions, goals, and the use of materials have taken place. The exhibition, accompanied by this book, aims to an understanding of these historical positions with the aid of sketches, artefacts, documents, models, photographs, and film material, and includes 120 objects from important collections (Museum Ludwig, Köln, Ludwig Forum Aachen, Hamburger Bahnhof, Centre Georges Pompidou, Paris, Fotomuseum Winterthur,...).
At the same time, it faces the reader with open questions about how to deal with nature in a preserving and responsible way.











