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DEAL OF THE DAY

Italia Cinquanta moda e design. Nascita di uno stile

Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Sgubin Raffaella, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.

cover price: € 33.00

Italia Cinquanta moda e design. Nascita di uno stile

Total price: € 33.00 € 85.00 add to cart carrello

Books included in the offer:

Italia Cinquanta moda e design. Nascita di uno stile

Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Sgubin Raffaella, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.

FREE (cover price: € 33.00)

Italia Cinquanta moda e design. Nascita di uno stile

Parodie del design. Scritti critici e polemici

Torino, 2008; paperback, pp. 94, 8 b/w ill., cm 12,5x19,5.

FREE (cover price: € 12.00)

Parodie del design. Scritti critici e polemici

Moda e modi. Stile e costume in Italia 1900-1960

Arezzo, Basilica di San Francesco, March 24 - November 4, 2018.
Roma, 2018; paperback, pp. 96, col. ill., cm 21,5x21,5.

FREE (cover price: € 25.00)

Moda e modi. Stile e costume in Italia 1900-1960

Gli italiani e la moda. 1860-1960

Stra, Museo Nazionale di Villa Pisani, April 8 - November 1, 2017.
Edited by Alberto Manodori Sagredo.
Roma, 2017; paperback, pp. 94, b/w ill., cm 16x23.

FREE (cover price: € 15.00)

Gli italiani e la moda. 1860-1960

chiudi

Sara Landau. Iper Pop Past

Silvana Editoriale

Rovereto, MART, June 4 - August 22, 2010.
Rovereto, MART, June 5 - August 22, 2010.
Edited by Guadagnini W.
Italian and English Text.
Cinisello Balsamo, 2010; paperback, pp. 95, b/w ill., 30 col. plates, cm 17x21.
(Cataloghi di Mostre).

series: Cataloghi di Mostre

ISBN: 88-366-1733-6 - EAN13: 9788836617333

Subject: Collections,Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 0.33 kg


The volume accompain the first international exhibition of the young canadian artist Sara Landau, which narrates her contemporaneity, presenting herself as a peintre de la vie moderne, assuming of contemporary life also the artificiality, the sense of a perennial construction of the image, of the self and of the world.
Painting, therefore, that has been reclaimed as an artifice, as an artisanal pratice capable not of opposing, but rather of confronting itself with the means of reproduction that are no longer purely mechanical, as occurred in the Sixties, but also digital.

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