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DEAL OF THE DAY

Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere

Edited by Orlando Anna and Francesco Rotatori.
Genova, 2023; paperback, pp. 304, col. ill., cm 23x29.

cover price: € 150.00

Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere

Total price: € 150.00 € 358.00 add to cart carrello

Books included in the offer:

Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere

Edited by Orlando Anna and Francesco Rotatori.
Genova, 2023; paperback, pp. 304, col. ill., cm 23x29.

FREE (cover price: € 150.00)

Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere

Giovan Antonio Dosio Da San Gimignano Architetto e Scultor Fiorentino tra Roma, Firenze e Napoli

Edited by Emanuele Barletti.
Photographs by BACHerin Paolo and Saverio De Meo.
Prima edizione 2011.
Firenze, 2011; bound, pp. 844, b/w and col. ill., tavv., cm 24x28,5.

FREE (cover price: € 98.00)

Giovan Antonio Dosio Da San Gimignano Architetto e Scultor Fiorentino tra Roma, Firenze e Napoli

Vincenzo Meucci

Co-Editore: Cassa di Risparmio di Firenze.
Firenze, 2015; hardback, pp. 304, col. ill., cm 25x29,5.
(Arte).

FREE (cover price: € 50.00)

Vincenzo Meucci

Gherardo Bosio. Opera Completa 1927-1941

Firenze, 2016; paperback, pp. 368, b/w and col. ill., cm 23x28.
(Architetti del Novecento. Storia e archivi).

FREE (cover price: € 60.00)

Gherardo Bosio. Opera Completa 1927-1941

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Sara Landau. Iper Pop Past

Silvana Editoriale

Rovereto, MART, June 4 - August 22, 2010.
Rovereto, MART, June 5 - August 22, 2010.
Edited by Guadagnini W.
Italian and English Text.
Cinisello Balsamo, 2010; paperback, pp. 95, b/w ill., 30 col. plates, cm 17x21.
(Cataloghi di Mostre).

series: Cataloghi di Mostre

ISBN: 88-366-1733-6 - EAN13: 9788836617333

Subject: Collections,Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 0.33 kg


The volume accompain the first international exhibition of the young canadian artist Sara Landau, which narrates her contemporaneity, presenting herself as a peintre de la vie moderne, assuming of contemporary life also the artificiality, the sense of a perennial construction of the image, of the self and of the world.
Painting, therefore, that has been reclaimed as an artifice, as an artisanal pratice capable not of opposing, but rather of confronting itself with the means of reproduction that are no longer purely mechanical, as occurred in the Sixties, but also digital.

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