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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

MJ Manifesta Journal 9. History in the Present

Silvana Editoriale

English Text.
Cinisello Balsamo, 2010; paperback, pp. 112, 80 b/w ill., 15 col. ill., cm 17x24.

series: Manifesta Journal.

ISBN: 88-366-1618-6 - EAN13: 9788836616183

Subject: Essays (Art or Architecture),Magazines,Painting,Sculpture

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Extra: New Media

Languages:  english text  

Weight: 0.34 kg


Contemporary art deserves its name if it manifests its own contemporaneity - and not simply if it is currently made or displayed. Thus, the question 'What is contemporary art?' implicates the questions, 'What is the Contemporary?' and 'How can the Contemporary as such be shown?' Contemporary art according to modernity's picture of the world could be understood as something that is immediately present, capturing and expressing the presence of the present in a way that is radically uncorrupted by traditions or by strategies aimed at the future succes. This concept forms the basis for such an institution as a traditional art museum.
The critique of modernity and its infrastructure, however, revised this idea of linear time. All that doesn't mean that the linear history has been totally rejected; rather, it has simply become one of the possible views and logics with which to read reality.
The many essays in this volume investigate every aspect related to this concept, showing the results in the world today.

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