Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Renata Lucas. Postpone the end. [English and French Edition]
Silvana Editoriale
English and French Text.
Cinisello Balsamo, 2009; paperback, pp. 115, ill., 55 col. plates, cm 18x23.
ISBN: 88-366-1576-7 - EAN13: 9788836615766
Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Sculpture
Period: 1960- Contemporary Period
Extra: New Media
Languages:
Weight: 0.39 kg
Renata Lucas singled out for her work Matemática Rápida, presented in 2006 at the San Paolo Biennial, which consists of an intervention on the pavement of the Barra Funda neighborhood, where the artist created, through a subtle gesture, a second pavement, on which she put along the path of walking people, unexpected obstacles, coincidences and unforeseen pleasures. Through her installation, the artist highlights the deep transformations that property speculation brings to the traditional urban aspect of the barrio by distorting its original features.
This volume, published on the occasion of the prize awarding and conceived as an artist's book, presents Renata Lucas' work, completed by a conversation with Carolyn Christov-Bakargiev and by the images of her work.










