Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Quelques Figures de Maternité. Fétiches, Déesses-Mères, Mystère de L'Incarnation et Pots Pansus
Silvana Editoriale
Aix-en-Provence?, Galerie du Conseil général des Bouches-du-Rhône, October 9, 2009 - January 3, 2010.
Edited by Bouiller J.-R.
Aix-en-Provence?, Galerie du Conseil général des Bouches-du-Rhône, 9 ottobre 2009 - 3 gennaio 2010.
French Text.
Cinisello Balsamo, 2009; paperback, pp. 96, 43 col. ill., cm 22x28.
ISBN: 88-366-1512-0 - EAN13: 9788836615124
Subject: Collections,Essays (Art or Architecture),Painting,Photography,Sculpture
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 0.59 kg
On voit ainsi ce sujet revêtir des aspects magiques, superstitieux, religieux, hygiénistes, scientifiques ; correspondre aux canons de la famille bourgeoise ou de la Charité laïque ; concentrer une part de l'image de la femme dans l'art ; et plus récemment être détourné et remis en question par des artistes contemporains soucieux de lui ôter son côté empesé.
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