Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
cover price: € 33.00
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Books included in the offer:
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
FREE (cover price: € 33.00)
Studi su Arturo Martini. Per Ofelia
Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.
FREE (cover price: € 29.00)
Canova. L'invenzione della gloria. Disegni, dipinti e sculture.
Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.
FREE (cover price: € 35.00)
Venus Entering the Bath by Luigi Pampaloni A New Acquisition for the Galleria dell'Accademia di Firenze e Musei del Bargello
Sillabe
Firenze, Galleria dell'Accademia, November 4, 2025 - February 1, 2026.
Edited by Coco G.
English Text.
Livorno, 2025; paperback, pp. 80, 58 col. ill., cm 16,5x23.
Other editions available: Edizione italiana 88-3340-576
ISBN: 88-3340-577-X - EAN13: 9788833405773
Subject: Collections,Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts),Sculpture
Period: 1800-1960 (XIX-XX) Modern Period
Languages:
Weight: 0.384 kg
Conceived as a new display , it allows visitors to appreciate the complexity of nineteenth-century "artistic creation" and to appreciate its vitality and evolution, from the initial idea to the finished work, through a direct comparison of sketch, model, and marble replica.
The Gallery also houses an extraordinary collection of plaster casts by Lorenzo Bartolini (Prato 1777 - Florence 1850) and his pupils, among whom Pampaloni occupies a prominent place.
In the elegant, richly illustrated catalog, produced in Italian and English, the model thus becomes a symbol of a dual evolution: that of an artist who, from terracotta to marble, translates his idea of natural and sentimental beauty into form; and that of the Gallery, which continues to renew itself, grow, and look to the future, faithful to its educational vocation and increasingly aware of its central role in the Italian museum network.









