Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
cover price: € 80.00
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Books included in the offer:
Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
FREE (cover price: € 80.00)
Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento
Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.
FREE (cover price: € 77.00)
Segni dell'Eucarestia
Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.
FREE (cover price: € 32.00)
Venus Entering the Bath by Luigi Pampaloni A New Acquisition for the Galleria dell'Accademia di Firenze e Musei del Bargello
Sillabe
Firenze, Galleria dell'Accademia, November 4, 2025 - February 1, 2026.
Edited by Coco G.
English Text.
Livorno, 2025; paperback, pp. 80, 58 col. ill., cm 16,5x23.
Other editions available: Edizione italiana 88-3340-576
ISBN: 88-3340-577-X - EAN13: 9788833405773
Subject: Collections,Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts),Sculpture
Period: 1800-1960 (XIX-XX) Modern Period
Languages:
Weight: 0.384 kg
Conceived as a new display , it allows visitors to appreciate the complexity of nineteenth-century "artistic creation" and to appreciate its vitality and evolution, from the initial idea to the finished work, through a direct comparison of sketch, model, and marble replica.
The Gallery also houses an extraordinary collection of plaster casts by Lorenzo Bartolini (Prato 1777 - Florence 1850) and his pupils, among whom Pampaloni occupies a prominent place.
In the elegant, richly illustrated catalog, produced in Italian and English, the model thus becomes a symbol of a dual evolution: that of an artist who, from terracotta to marble, translates his idea of natural and sentimental beauty into form; and that of the Gallery, which continues to renew itself, grow, and look to the future, faithful to its educational vocation and increasingly aware of its central role in the Italian museum network.









