Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens
Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.
cover price: € 35.00
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Books included in the offer:
Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens
Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.
FREE (cover price: € 35.00)
Valerio Castello.
Torino, 2008; bound, pp. 301, b/w ill., 28 col. plates, cm 21,5x31.
(Archivi di Arte Antica).
FREE (cover price: € 45.00)
L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola
Genova, Palazzo Spinola, February 5 - May 24, 2009.
Genova, GALLERIA NAZIONALE DI PALAZZO SPINOLA, February 6 - May 24, 2009.
Edited by Simonetti F.
Torino, 2009; paperback, pp. 149, b/w and col. ill., tavv., cm 17x22.
FREE (cover price: € 22.00)
Body and Soul. Masterpieces of Italian Renaissance and Baroque Sculpture
Polistampa
Edited by Butterfield A.
New York, Moretti Fine Art, 21 october - 19 november, 2010.
English Text.
Firenze, 2010; clothbound, pp. 128, col. ill., col. plates, cm 24x31.
ISBN: 88-596-0828-7 - EAN13: 9788859608288
Subject: Essays (Art or Architecture),Sculpture
Period: 1400-1800 (XV-XVIII) Renaissance
Extra: Baroque & Rococo
Languages:
Weight: 1.18 kg
The catalogue presents great masterpieces of Italian renaissance and baroque sculpture. It was supervised by Andrew Butterfield and Fabrizio Moretti, two of the world's most representative experts of antique trade. The sculptures which the book deeply analyzes all have something in common: they combine ideality and naturalism of form with intensity and depth of expression, so that both the outer appearance and the inner life of the character represented manage to emerge. In short, not even one of these sculptures submitted to the strict academic rules which have always been influencing art and sometimes keep affecting it today. They were selected since they celebrate life in every single aspect, both physical and spiritual. Among the artists whose works are here described we find Andrea Del Verrocchio, Jacopo Sansovino, Andrea Riccio, Alessandro Algardi, Domenico Pieratti, Giambattista Foggini, Pierre Le Gros, Giuseppe Mazzuoli, Giuseppe Piamontini and Giovachino Fortini. The book includes introductions by Andrew Butterfield, Fabrizio Moretti and Marc Fumaroli as well as in-depth essays by Andrea Bacchi, Andrew Butterfield, C. D. Dickerson, Marc Fumaroli, Giancarlo Gentilini, Tomaso Montanari and Riccardo Spinelli, providing historical and technical information.
The volume is rich in colour images and each essay is accompanied by a detailed bibliography.









