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DEAL OF THE DAY

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

cover price: € 35.00

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Total price: € 35.00 € 102.00 add to cart carrello

Books included in the offer:

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

FREE (cover price: € 35.00)

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Valerio Castello.

Torino, 2008; bound, pp. 301, b/w ill., 28 col. plates, cm 21,5x31.
(Archivi di Arte Antica).

FREE (cover price: € 45.00)

Valerio Castello.

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

Genova, Palazzo Spinola, February 5 - May 24, 2009.
Genova, GALLERIA NAZIONALE DI PALAZZO SPINOLA, February 6 - May 24, 2009.
Edited by Simonetti F.
Torino, 2009; paperback, pp. 149, b/w and col. ill., tavv., cm 17x22.

FREE (cover price: € 22.00)

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

chiudi

Carole A. Feuerman. La scultura incontra la realtà. [Edizione italiana e inglese]

Polistampa

Edited by Caioni G. and Moggi A.
Italian and English Text.
Firenze, 2008; paperback, pp. 146, b/w and col. ill., cm 24x31.

ISBN: 88-596-0410-9 - EAN13: 9788859604105

Subject: Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts),Photography,Sculpture

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 0.84 kg


Carole A. Feuerman was born in Connecticut, but has always lived and worked in New York, between Soho and Chelsea. As noted by John Spike, she was a full generation younger than Duane Hanson and John de Andrea, but is one of the pioneers of life-sized and lifelike figure sculpture, down to the tiniest detail. In the early 70's, while Hanson was exhibiting his supermarket shoppers and other Pop Art satires, Feuerman was drawing album art for Alice Cooper and the Rolling Stones (Monkey Man). When she turned to sculpture in 1978, she took super-realism in a new direction: she got personal.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci