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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

Carole A. Feuerman. La scultura incontra la realtà. [Edizione italiana e inglese]

Polistampa

Edited by Caioni G. and Moggi A.
Italian and English Text.
Firenze, 2008; paperback, pp. 146, b/w and col. ill., cm 24x31.

ISBN: 88-596-0410-9 - EAN13: 9788859604105

Subject: Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts),Photography,Sculpture

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 0.84 kg


Carole A. Feuerman was born in Connecticut, but has always lived and worked in New York, between Soho and Chelsea. As noted by John Spike, she was a full generation younger than Duane Hanson and John de Andrea, but is one of the pioneers of life-sized and lifelike figure sculpture, down to the tiniest detail. In the early 70's, while Hanson was exhibiting his supermarket shoppers and other Pop Art satires, Feuerman was drawing album art for Alice Cooper and the Rolling Stones (Monkey Man). When she turned to sculpture in 1978, she took super-realism in a new direction: she got personal.

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