Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Scultura
Paul Holberton Publishing
New York, Adam Williams Fine Art, October 15 - November 1, 2008.
English Text.
Co-Editore: SE1 1NL.
London, 2008; paperback, pp. 128, col. ill., cm 24x28.
ISBN: 1-903470-89-7 - EAN13: 9781903470893
Subject: Sculpture
Period: 1400-1800 (XV-XVIII) Renaissance
Places: Europe
Languages:
Weight: 1.27 kg
The content of Scultura and the accompanying catalogue is a carefully selected range of sculptural works in marble, bronze and terracotta, from the early Renaissance to the Neo-Classical period. Many of the entries epitomize the artistic tastes and cultural ideals of their time and provide us with a rich visual journey through 500 years of sculpture.
From the newly discovered powerful profile portrait of King Ferrante of Naples circa 1472 to the sublime beauty of Giambologna's 'Urania' and Bartolini's divine-like representation of the Emperor Napoleon, we can travel through the history of European sculpture and feast on Gods, Godesses, Emperors and Kings through the presentation of these enigmatic sculptures and the mythology, connoisseurship and Royal patronage that has created them.










