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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Radu Comsa

Mousse Publishing

Edited by Trezzi N.
Texts by Bogdan Iacob and Tea Vindt.
English and Romanian Text.
Milano, 2024; paperback, pp. 112, col. ill., cm 25x30.

ISBN: 88-6749-651-4 - EAN13: 9788867496518

Subject: Essays (Art or Architecture)

Languages:  other, english text   other, english text  

Weight: 0 kg


This book brings together the vast production of the Romanian artist Radu Com?a (b. 1975). The idea of "painting overall," or "expanded painting," provides a key to understanding his work. Incorporating divagations, extractions, and references, Com?a's "transcriptions" (from one material to another, from one shape to another, from one conceptual frame to another) refer to the art object as a form of intellectual replica of the artist's own design of thoughts. His diagrammatic transcriptions (plates of cast concrete or mixed-media painting-objects informed by his interest in modernist architecture, concrete poetry, and atonal music) operate as visual morphemes expected to collide and further release extra meaning.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci