Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Ludovic Nkoth: What If
Mousse Publishing
Text by Elliot Barnes, Aindrea Emelife. Interview by Osei Bonsu.
English Text.
Milano, 2024; bound, pp. 82, ill., cm 24x32.
ISBN: 88-6749-620-4 - EAN13: 9788867496204
Subject: Collections,Essays (Art or Architecture),Monographs (Painting and Drawing),Painting
Period: 1960- Contemporary Period
Languages:
Weight: 0 kg
"It's important to acknowledge the conversation you're participating in...and also remembering that this conversation wasn't always open to everyone," says painter Ludovic Nkoth (born 1994) of his artistic practice. "Paint isn't neutral." Based in New York but born in Cameroon, Nkoth creates fluid and intimate portraits of Black subjects are all inspired by the country of his birth. His scenes capture the private lives of his subjects, in moments of thought, rest and recreation, inviting the viewer to imagine alternative narratives surrounding images of the Black experience. These paintings carried a special significance when they were exhibited within the Fondation Le Corbusier - Maison La Roche, a gallery intended for a collection of 20th-century abstract art, whose most famous figures borrowed the language of African art but assigned little merit to its creators.










