Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens
Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.
cover price: € 35.00
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Books included in the offer:
Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens
Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.
FREE (cover price: € 35.00)
Valerio Castello.
Torino, 2008; bound, pp. 301, b/w ill., 28 col. plates, cm 21,5x31.
(Archivi di Arte Antica).
FREE (cover price: € 45.00)
L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola
Genova, Palazzo Spinola, February 5 - May 24, 2009.
Genova, GALLERIA NAZIONALE DI PALAZZO SPINOLA, February 6 - May 24, 2009.
Edited by Simonetti F.
Torino, 2009; paperback, pp. 149, b/w and col. ill., tavv., cm 17x22.
FREE (cover price: € 22.00)
Lantian Xie & Sabih Ahmed: Mass Traffic
Mousse Publishing
Illustrations by Passarella E.
English Text.
Milano, 2023; paperback, pp. 192, ill., cm 17x23.
ISBN: 88-6749-602-6 - EAN13: 9788867496020
Subject: Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures)
Period: 1960- Contemporary Period
Languages:
Weight: 0 kg
Mass Traffic is a kino-political theory of the 21st century. From political fictions to statistical abstractions, the book renders motion as a theoria complex. Concepts take the shape of brawl clouds and images surge as high-heat crispy formulations, reading the contemporary world through exponentiality and exuberance. Congestions of bureaucratic procedures meet the traffic of indeterminate actions-singing, swerving and dispersing across chapters on: organs; culture; the archive Infra-habibi-technics; the exhibitionary supply chain. Lantian Xie is an artist mobilising images, objects, things, things that happen, formulations, swerves, jumps, books, working groups, jazz bands, motorcycles, and parties. Sabih Ahmed is a curator moving between exhibitions, infra-/para-/axial-institutional appearances, archives, pedagogy, and theorisation.









