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DEAL OF THE DAY

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

cover price: € 40.00

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Total price: € 40.00 € 249.90 add to cart carrello

Books included in the offer:

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

FREE (cover price: € 40.00)

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Michele Rocca e la pittura rococo a Roma

Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.

FREE (cover price: € 180.00)

Michele Rocca e la pittura rococo a Roma

Cucinare per gli amici

Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).

FREE (cover price: € 29.90)

Cucinare per gli amici

chiudi

Yuki Kimura. Col Sporcar Si Trova

Mousse Publishing

Edited by Bentele K.
English Text.
Milano, 2023; paperback in a case, pp. 108, b/w and col. ill., cm 13,5x21.

ISBN: 88-6749-579-8 - EAN13: 9788867495795

Subject: Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing)

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 0 kg


Yuki Kimura’s work exists both as an elegant, static, physical form with a calmly assertive presence in space, and as an immaterial, wandering, and vibrating force reflective of all that exists around and throughout it-in the negative, so to speak. It initiates processes of transformation and is transformative itself, which may at first appear counterintuitive to its static appearance. The passive, mute, and durable world of objects and physical matter that one encounters in Kimura’s work becomes a place of dynamic processes and shapeshifting, where the stable appearance and order of things are profoundly transformed. Kimura’s work operates beyond language, occupying an entirely visual sphere, but communicates at a highly visceral and embodied level of perception.

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