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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Matthew Monahan: Bronzo

Mousse Publishing

Edited by Pratesi L.
Milano, 2016; paperback, pp. 132, ill., cm 17x24,5.

ISBN: 88-6749-252-7 - EAN13: 9788867492527

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)

Period: 1960- Contemporary Period

Languages:  italian text  

Weight: 0.634 kg


At the core of the sculptural practice of Matthew Monahan lies the adoption of classical tropes and its simultaneous radical alteration. Through references that encompass the Italian Renaissance, from surrealism to contemporary literature and philosophy, the artist enacts a complex clash that renders his sculptures like ruins of the present time.Published on the occasion of the solo exhibition held at Museo Nazionale Romano, Palazzo Altemps in Rome from April 6 to May 25, 2016, the book reflects the peculiar creative strategy of the artist: The colored photographs documenting the show are impressed on top of a black-and-white reprinting of Palazzo Altemps. Le collezioni, the illustrated catalogue presenting the various collections hosted at the Palazzo. As the sculptures on view are inserted into the classical pieces of its collection, its documenting pictures are radically juxtaposed to the collection's register.

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