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DEAL OF THE DAY

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

cover price: € 40.00

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Total price: € 40.00 € 249.90 add to cart carrello

Books included in the offer:

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

FREE (cover price: € 40.00)

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Michele Rocca e la pittura rococo a Roma

Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.

FREE (cover price: € 180.00)

Michele Rocca e la pittura rococo a Roma

Cucinare per gli amici

Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).

FREE (cover price: € 29.90)

Cucinare per gli amici

chiudi

Fabian Marti. And then we mad & qiiys nlff issw myttl

Mousse Publishing

English and German Text.
Milano, 2012; paperback, pp. 136, ill., col. plates, cm 27x20.

ISBN: 88-6749-026-5 - EAN13: 9788867490264

Subject: Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts)

Period: 1960- Contemporary Period

Languages:  deutsch, english text   deutsch, english text  

Weight: 0.59 kg


The book-published on the occasion of Fabian Marti's exhibition at Kunstverein Braunschweig-articulates the core theme of Fabian Marti's work, that the artist himself define as "Time. And the possibility of a mental journey through time", achieved by the artist's subjective and spontaneous reversal of the meanings of previously coded symbols, icons, and subjects.

The publication presents sculptures, photograms, and a film by the German artist in a completely new form: like layers of sediment, one work lies over the other, one visual level is introduced directly onto the page, overlaid with a second.

With essays by Simona Ciuccio, Karolina Dankow, Salvatore Lacagnina, Nina Mende, Hilke Wagner and Rein Wolfs.

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