Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
|
Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Helen Frankentaler. Painting without Rules
Marsilio
Firenze, Palazzo Strozzi, September 27, 2024 - January 26, 2025.
Edited by Dreishpoon D.
English Text.
Venezia, 2024; paperback, pp. 240, col. ill., cm 24x29.
(Cataloghi).
series: Cataloghi
EAN13: 9791254632192
Subject: Collections,Essays (Art or Architecture),Monographs (Painting and Drawing),Painting
Period: 1800-1960 (XIX-XX) Modern Period
Extra: Impressionism/Expressionism
Languages:
Weight: 1.37 kg
This survey examines Helen Frankenthaler's artistic affinities, influences, and friendships by interweaving paintings created between 1953 and 2002 with select works by some of her contemporaries-including Anthony Caro, Morris Louis, Robert Motherwell, Kenneth Noland, Jackson Pollock, Mark Rothko, David Smith, and Anne Truitt. In addition to loans from the Helen Frankenthaler Foundation, international museums, and private collections, the exhibition also features works by her peers that were part of the artist's personal collection.
Celebrated among the second generation of postwar American abstract painters, Frankenthaler (1928-2011) played a pivotal role in the transition from Abstract Expressionism to Color Field painting. Active for more than six decades, Frankenthaler emerged on the American art scene with a no-rules approach to painting, protean imagination, and improvisational skills that reshaped the narrative, not only for women artists, but for the genre itself. With her innovative soak-stain technique, Frankenthaler explored a new relationship between color and form, expanding the potential of abstract painting in ways that continue to inspire artists today.
Working with color and space, abstraction and poetry, Frankenthaler distinguished herself through her unique ability to combine technique and imagination, research and improvisation, expanding her practice beyond established canons in the pursuit of a new freedom in painting.
The exhibition is co-organized by Fondazione Palazzo Strozzi, Florence, and the Helen Frankenthaler Foundation, New York, and is curated by Douglas Dreishpoon, Director, Helen Frankenthaler Catalogue Raisonné.










