Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
cover price: € 33.00
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Books included in the offer:
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
FREE (cover price: € 33.00)
Studi su Arturo Martini. Per Ofelia
Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.
FREE (cover price: € 29.00)
Canova. L'invenzione della gloria. Disegni, dipinti e sculture.
Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.
FREE (cover price: € 35.00)
Causes. Il 20% delle Cause Provoca l'80% degli Effetti
Maretti Editore
Edited by Continua Galleria.
Falciano, 2016; hardback, pp. 80, ill., cm 17,5x23.
Progetto di Cecilia Tirelli.
Communication Valeria Carnevali.
ISBN: 88-98855-76-1 - EAN13: 9788898855766
Subject: Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures)
Period: 1960- Contemporary Period
Languages:
Weight: 0.42 kg
The cover title is a " verbal ready-made", a statement referring to Pareto's principle known in economics as Principle of the shortage of factors, according to which most of the effects are due to a limited number of causes: presented in two different idioms with a "reversed" translation (the 20% causes the 80% - the 80% comes from the 20%) it makes us guess that the semantic amusing play is a constant throughout the interview.
Presented in a reduced form as fanzine, published by the Milan publisher Le Dictateur in 2012 in Maurizio Cattelan's Family Business space, New York, the work enriched and perfected, has now reached its natural form as an author's book, just when a reconnaissance reflection on Maurizio Mercuri's production is needed.
The bilingual text, Italian/English, is completed by an iconographic apparatus, featuring many of the artist's chief works: photos, digital works, drawings, sculptures, ready-made, frames from videos and performances. Many of them, granted by galleries and collections, boast prestigious credits (The Milan Triennial Milan, Zero...
Milan, Museo Carlo Zauli Faenza, Salvatore + Caroline Ala Gallery Milan, Massimo De Carlo Milan/London/Hong Kong, Collezione Al-bunduqiyya Venice, Neon Gallery Bologna, Viafarini Milan etc...).









