Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Sgubin Raffaella, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
cover price: € 33.00
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Books included in the offer:
Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Sgubin Raffaella, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
FREE (cover price: € 33.00)
Parodie del design. Scritti critici e polemici
Torino, 2008; paperback, pp. 94, 8 b/w ill., cm 12,5x19,5.
FREE (cover price: € 12.00)
Moda e modi. Stile e costume in Italia 1900-1960
Arezzo, Basilica di San Francesco, March 24 - November 4, 2018.
Roma, 2018; paperback, pp. 96, col. ill., cm 21,5x21,5.
FREE (cover price: € 25.00)
Gli italiani e la moda. 1860-1960
Stra, Museo Nazionale di Villa Pisani, April 8 - November 1, 2017.
Edited by Alberto Manodori Sagredo.
Roma, 2017; paperback, pp. 94, b/w ill., cm 16x23.
FREE (cover price: € 15.00)
I/O César Meneghetti. [Testo Italiano e Inglese]
Maretti Editore
Edited by Lux S. and Zuccari A.
Translation by Simmons G.
Italian and English Text.
Falciano, 2013; paperback, pp. 224, col. ill., col. plates, cm 16x24,5.
ISBN: 88-89965-27-4 - EAN13: 9788889965276
Subject: DigitalArt,Essays (Art or Architecture),Monographs (Painting and Drawing)
Period: 1960- Contemporary Period
Languages:
Weight: 0.69 kg
Because it is precisely there, along these borders, that Meneghetti's works and his art are fulfilled.
It is no coincidence that the split-screen that, amongst the countless linguistic techniques he so knowledgeably uses, might have constituted until now a creation trope in the framework of the double emphasis centred along the border between things and conditions, has been discarded in his most recent innovative work, as if the boundary separating conditions and cultural contradictions had been disregarded.
Is that the case?
Before this current work, I/O IO È UN ALTRO, the crystallisation of a lengthy and challenging project/process taken through verifications, César Meneghetti had given the dignity of language to splinters, traces, fragments, narrations, sudden parallelisms between distant and opposing worlds: Italy/Brazil, Europe/America, Africa and European science. And using all the devices now available to art - photography, editing, installation, sculpture, film directing and/or screen writing -, he established an antithesis in distance, bringing to light specific issues, making them universal and narrating them, intercepting them thanks to the nomadic or migrant condition he shares with the artists and men of this globalised world.