I/O César Meneghetti. [Testo Italiano e Inglese]

CÉSAR MENEGHETTI'S DOUBLE EMPHASIS ART/REALITY The double emphasis art/reality specific to César Meneghetti's work can/must be described also through other opposites: identity/nomadism, crystallisation/flow, otherness/prejudice, remembrance/oblivion, normality/diversity, boundary/crossboundary.
Because it is precisely there, along these borders, that Meneghetti's works and his art are fulfilled.
It is no coincidence that the split-screen that, amongst the countless linguistic techniques he so knowledgeably uses, might have constituted until now a creation trope in the framework of the double emphasis centred along the border between things and conditions, has been discarded in his most recent innovative work, as if the boundary separating conditions and cultural contradictions had been disregarded.
Is that the case?
Before this current work, I/O IO È UN ALTRO, the crystallisation of a lengthy and challenging project/process taken through verifications, César Meneghetti had given the dignity of language to splinters, traces, fragments, narrations, sudden parallelisms between distant and opposing worlds: Italy/Brazil, Europe/America, Africa and European science. And using all the devices now available to art - photography, editing, installation, sculpture, film directing and/or screen writing -, he established an antithesis in distance, bringing to light specific issues, making them universal and narrating them, intercepting them thanks to the nomadic or migrant condition he shares with the artists and men of this globalised world.