De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
cover price: € 48.00
|
Books included in the offer:
De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
FREE (cover price: € 48.00)
De Nittis. Peppino e il ventaglio magico
Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).
FREE (cover price: € 14.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Firenze capitale (1865-2015). I doni e le collezioni del Re
Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.
FREE (cover price: € 30.00)
I Re Poeti
Libreria Editrice L'Erma di Bretschneider
Atti del Convegno Internazionale, L'Aquila, March 16 - March 17, 2022.
Edited by Lucilla Spetia, Paolo Canettieri and Magdalena Loan Gomez.
Roma, 2023; paperback, pp. XX-432, 6 b/w ill., 6 col. ill., cm 17x24.
(Filologia Classica e Medievale. 8).
series: Filologia Classica e Medievale.
ISBN: 88-913-3255-0 - EAN13: 9788891332554
Subject: Historical Essays
Period: 1000-1400 (XII-XIV) Middle Ages
Languages:
Weight: 0 kg
Contributors have thus examined the production of Richard the Lionheart, king of England;Thibaut de Champagne king of Navarre; Emperor Frederick II; Alfonso X king of Castile; Charles of Anjou king of Sicily; and finally Don Denis king of Portugal. In addition, it was also chosen to turn our gaze to the production of the Anglo-Saxon king Alfred in an interdisciplinary desire to broaden the horizon of study and comparison.
Particularly important is the space reserved for the musical component of the lyrics, an element consubstantial to medieval poetic production.










