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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

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Pier Paolo Calzolari . Casa ideale

Humboldt Books

Translation by J. Harrison, Bazalgette-Staples B. and Tittensor J.
English and French Text.
Milano, 2024; paperback, pp. 268, ill., cm 21,5x27,5.

EAN13: 9791280336156

Subject: Collections,Essays (Art or Architecture)

Period: 1960- Contemporary Period

Languages:  english, french text   english, french text  

Weight: 0.9 kg


Setting out from the manifesto written in 1968, Casa ideale explores the poetic reach of Pier Paolo Calzolari's work: a programmatic text that was to become a vehicle for a series of ideas that endowed the artist's practice with direction, clearly outlining his intentions and evoking a range of interpretative possibilities. Published on the occasion of the exhibition of the same name at the NMNM - Nouveau Musée National de Monaco, the volume offers a wide-ranging overview on his research, retracing the key moments of a career that touched on the mainstays of Arte Povera as well as those of conceptual art. Through reproductions of historic works and performances, a new series of unpublished drawings and a collection of texts commissioned especially for the occasion, the book provides a rare opportunity to discover the world of Pier Paolo Calzolari, known for his unconventional approaches to the various disciplines of the visual arts. By constructing a process of metaphysical abstraction, Calzolari puts together a plural work, capable of combining various formal languages and triggering a transition between the physical and the aesthetic dimensions.

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