LATEST ART BOOKS
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
cover price: € 33.00
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Books included in the offer:
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
FREE (cover price: € 33.00)
Studi su Arturo Martini. Per Ofelia
Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.
FREE (cover price: € 29.00)
Canova. L'invenzione della gloria. Disegni, dipinti e sculture.
Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.
FREE (cover price: € 35.00)
Bruno Munari-Luigi Veronesi. Tra fantasia e metodo
Edizioni Gabriele Mazzotta
Cavalese, Centro Arte Contemporanea, July 11, 2003 - January 6, 2004.
Edited by C. Cerritelli and Berlanda O.
Milano, 2003; paperback, pp. 160, 5 b/w ill., 222 col. ill., cm 23x27.
(Biblioteca d'Arte).
series: Biblioteca d'Arte
ISBN: 88-202-1628-0 - EAN13: 9788820216283
Subject: Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts)
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Places: No Place
Languages: 
Weight: 0.93 kg
These two masters, well-known both in Italy and abroad, have a crucial role in the contemporary artistical heritage since they were the spokesmen of the concept of “total art”, a system of interacting languages, from drawing to publishing graphic, from photography to cinema, from set disigning to music and finally to the interest for education and teaching of artistical disciplines.
Bruno Munari (Milan 1907 – 1998) and Luigi Veronesi (Milan 1908 – 1998) have a lot in common; they belong to the same generation, and share the same interest for interdisciplinary issues, they love fantasy of images and rigour of method, and aspire to an idea of “total art” though their different characters have influenced their creative experiences.
Munari and Veronesi pursue the idea of “thinking and making art” as a total experience that cannot be included into a formula or into a system of autoreference signs, but that goes beyond through the analogies between visual and verbal, tactile and sound expressions.
