LATEST ART BOOKS
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Bruno Munari-Luigi Veronesi. Tra fantasia e metodo
Edizioni Gabriele Mazzotta
Cavalese, Centro Arte Contemporanea, July 11, 2003 - January 6, 2004.
Edited by C. Cerritelli and Berlanda O.
Milano, 2003; paperback, pp. 160, 5 b/w ill., 222 col. ill., cm 23x27.
(Biblioteca d'Arte).
series: Biblioteca d'Arte
ISBN: 88-202-1628-0 - EAN13: 9788820216283
Subject: Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts)
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Places: No Place
Languages: 
Weight: 0.93 kg
These two masters, well-known both in Italy and abroad, have a crucial role in the contemporary artistical heritage since they were the spokesmen of the concept of “total art”, a system of interacting languages, from drawing to publishing graphic, from photography to cinema, from set disigning to music and finally to the interest for education and teaching of artistical disciplines.
Bruno Munari (Milan 1907 – 1998) and Luigi Veronesi (Milan 1908 – 1998) have a lot in common; they belong to the same generation, and share the same interest for interdisciplinary issues, they love fantasy of images and rigour of method, and aspire to an idea of “total art” though their different characters have influenced their creative experiences.
Munari and Veronesi pursue the idea of “thinking and making art” as a total experience that cannot be included into a formula or into a system of autoreference signs, but that goes beyond through the analogies between visual and verbal, tactile and sound expressions.
