Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere
Edited by Orlando Anna and Francesco Rotatori.
Genova, 2023; paperback, pp. 304, col. ill., cm 23x29.
cover price: € 150.00
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Books included in the offer:
Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere
Edited by Orlando Anna and Francesco Rotatori.
Genova, 2023; paperback, pp. 304, col. ill., cm 23x29.
FREE (cover price: € 150.00)
Giovan Antonio Dosio Da San Gimignano Architetto e Scultor Fiorentino tra Roma, Firenze e Napoli
Edited by Emanuele Barletti.
Photographs by BACHerin Paolo and Saverio De Meo.
Prima edizione 2011.
Firenze, 2011; bound, pp. 844, b/w and col. ill., tavv., cm 24x28,5.
FREE (cover price: € 98.00)
Vincenzo Meucci
Co-Editore: Cassa di Risparmio di Firenze.
Firenze, 2015; hardback, pp. 304, col. ill., cm 25x29,5.
(Arte).
FREE (cover price: € 50.00)
Gherardo Bosio. Opera Completa 1927-1941
Firenze, 2016; paperback, pp. 368, b/w and col. ill., cm 23x28.
(Architetti del Novecento. Storia e archivi).
FREE (cover price: € 60.00)
Kandinsky, Vrubel', Jawlensky e gli artisti russi a Genova e nelle Riviere. Passaggio in Liguria
Edizioni Gabriele Mazzotta
Genova, Palazzo Ducale, October 27, 2001 - February 17, 2002.
Russian Text.
Milano, 2001; paperback, pp. 332, 143 b/w ill., 223 col. ill., cm 24x30.
(Biblioteca d'Arte).
series: Biblioteca d'Arte
ISBN: 88-202-1509-8 - EAN13: 9788820215095
Subject: Essays (Art or Architecture),Painting
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Places: Europe,Ligurian
Extra: Slavic Art and Culture
Languages:
Weight: 2.08 kg
Michail Vrubel (Omsk, 1856 - Pietroburgo 1911), a Russian academic painter, was inspired by contemporary French art and classic Italian painting beyond Russian tradition. His production is the best Russian example of the passage from Realism to Symbolism.
Alexej von Jawlensky (Torjok, 1864 - Wiesbaden, 1941) enriched his academic culture, initially in Russia, then in Munich where he settled in 1896. A friend of Kandinsky, he took part to the Blaue Reiter, and then joined the Die Blaue Vier: simple geometric forms and bright colours were the main features of his art that acquired an intense mystic aspect especially in the second half of his career.










