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DEAL OF THE DAY

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

cover price: € 40.00

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Total price: € 40.00 € 249.90 add to cart carrello

Books included in the offer:

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

FREE (cover price: € 40.00)

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Michele Rocca e la pittura rococo a Roma

Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.

FREE (cover price: € 180.00)

Michele Rocca e la pittura rococo a Roma

Cucinare per gli amici

Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).

FREE (cover price: € 29.90)

Cucinare per gli amici

chiudi

Fang Lijun. The Precipice over the Clouds

Edizioni Charta

Torino, GAM, June 22 - September 30, 2012.
English Text.
Milano, 2012; bound, pp. 264, col. ill., col. plates, cm 25x33,5.

ISBN: 88-8158-847-1 - EAN13: 9788881588473

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Languages:  english text  

Weight: 2.2 kg


One of the leading protagonists of Chinese contemporary art, Fang Lijun was born in 1963, three years before the start of the Cultural Revolution. He began to paint at age five and continued to experiment tirelessly with drawing, painting and ink media.
By the early 1990s Fang Lijun was one of the major exponents of Cynical Realism, a term coined by Li Xianting and characterized by a subtle rebellious humor: the word "rebellious"-which in Chinese encompasses the concept of cynicism-signifying that which is jocular, fun-loving, free-wheeling, unrestrained, blasé and capable of seeing through things.
Informed by his personal journey, Fang's art has gradually evolved to create an expansive world both epically vast and profoundly human, whose narratives depict crowds, landscapes, swimmers, emerging heads, flowers, skies and floating children.
Repetition is a dominant motif, but heresuch repetition derives from practices common to Eastern philosophy andmeditation techniques, which disrupt the chronological sensibility that is so fundamental to Western thought.
Fang's painting is rigorous, distinctive and balanced, suggesting within it the secrets of the East and the contemporary anguish of identity loss. It is an art of cynical fantasies: what appears to be radiant and smiling may reveal a painful reality. Fang's world of everyday fears is much nearer to us than we suspect.

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