Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
cover price: € n.d.
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Books included in the offer:
Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
FREE (cover price: € n.d.)
Le nuove boutique. Moda e design
Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.
FREE (cover price: € 43.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova
Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).
FREE (cover price: € 6.00)
Alta Moda, Grande Teatro
Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.
FREE (cover price: € 22.00)
Fang Lijun. The Precipice over the Clouds
Edizioni Charta
Torino, GAM, June 22 - September 30, 2012.
English Text.
Milano, 2012; bound, pp. 264, col. ill., col. plates, cm 25x33,5.
ISBN: 88-8158-847-1 - EAN13: 9788881588473
Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 2.14 kg
By the early 1990s Fang Lijun was one of the major exponents of Cynical Realism, a term coined by Li Xianting and characterized by a subtle rebellious humor: the word "rebellious"-which in Chinese encompasses the concept of cynicism-signifying that which is jocular, fun-loving, free-wheeling, unrestrained, blasé and capable of seeing through things.
Informed by his personal journey, Fang's art has gradually evolved to create an expansive world both epically vast and profoundly human, whose narratives depict crowds, landscapes, swimmers, emerging heads, flowers, skies and floating children.
Repetition is a dominant motif, but heresuch repetition derives from practices common to Eastern philosophy andmeditation techniques, which disrupt the chronological sensibility that is so fundamental to Western thought.
Fang's painting is rigorous, distinctive and balanced, suggesting within it the secrets of the East and the contemporary anguish of identity loss. It is an art of cynical fantasies: what appears to be radiant and smiling may reveal a painful reality. Fang's world of everyday fears is much nearer to us than we suspect.











