De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
cover price: € 48.00
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Books included in the offer:
De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
FREE (cover price: € 48.00)
De Nittis. Peppino e il ventaglio magico
Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).
FREE (cover price: € 14.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Firenze capitale (1865-2015). I doni e le collezioni del Re
Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.
FREE (cover price: € 30.00)
Fausto Melotti. With Photos by Ugo Mulas
Edizioni Charta
New York, Italian Cultural Institute, May 13 - May 30, 2008.
Translation by Moore M.
Italian and English Text.
Milano, 2008; paperback, pp. 72, 14 b/w ill., 17 col. ill., cm 17x21.
(I Quaderni dell'Istituto Italiano di Cultura di New York. 1).
series: I Quaderni dell'Istituto Italiano di Cultura di New York.
ISBN: 88-8158-688-6 - EAN13: 9788881586882
Subject: Collections,Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts)
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 0.24 kg
Originally educated as an electrical engineer, Fausto Melotti enrolled in art school in 1928, befriending Lucio Fontana, who became a lifelong friend. In the 1930s, Melotti created fanciful and dreamlike narratives embedded in small ceramic squares, continuing to work with ceramics and terra-cotta throughout the Second World War. In the 1940s he began collaborating with Domus magazine and published his first collection of poems. The day after his death, in 1986, the 42nd Venice Biennale opened with an exhibition of his work, posthumously awarding him the Golden Lion award.










