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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

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Stefano Arienti. The Asian Shore

Edizioni Charta

Boston, Isabella Gardner Museum, June 29 - October 14, 2007.
Boston, Isabella Gardner Museum, 29 giugno - 14 ottobre 2007.
English Text.
Milano, 2007; bound, pp. 76, 74 b/w and col. ill., cm 16x24.

ISBN: 88-8158-654-1 - EAN13: 9788881586547

Subject: Design,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing),Textiles (Tapestries, Carpets, Embroyderies)

Period: 1960- Contemporary Period

Places: Italy

Extra: Oriental Art and Culture

Languages:  english text  

Weight: 0.29 kg


With an inexhaustible toolbox of techniques, a devotion to drawing--using commercially printed papers, tracing photographic images, making photocopy transfers, folding, cutting, sewing, drilling, applying silicone, acrylic or spray paint--and an almost-Surrealist knack for collage and uncanny combinations, the Milan-based artist Stefano Arienti has long been in search of new ways to make a mark while experimenting with free-form narrative. Especially suited to book form, the works collected here are juxtaposed lyrically, with lines from one page seemingly disappearing into the book's gutter and reemerging in a new form on the next. This well-considered volume combines earlier work alongside more recent drawings inspired by the archives of the Isabella Stewart Gardner Museum in Boston, where Arienti made good use of the Oriental collection.

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