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DEAL OF THE DAY
Il Maestro dei bambini turbolenti. Sandro di Lorenzo sculture in terracotta agli albori della Maniera

Total price: € 80.00 € 240.00 add to cart carrello

Books included in the offer:

Storia delle arti figurative a Faenza. II. Il Gotico

Faenza, 2007; paperback, pp. 368, b/w and col. ill., tavv., cm 17x24.

FREE (cover price: € 40.00)

Storia delle arti figurative a Faenza. II. Il Gotico

Ritratti di imperatori e profili all'antica. Scultura del Quattrocento nel Museo Stefano Bardini

Edited by Nesi A.
Saggio di Francesca Maria Bacci.
Firenze, 2012; paperback, pp. 199, b/w ill., b/w plates, cm 17x24.
(Museo Stefano Bardini).

FREE (cover price: € 25.00)

Ritratti di imperatori e profili all'antica. Scultura del Quattrocento nel Museo Stefano Bardini

Storia delle arti figurative a Faenza. I. Le origini

Faenza, 2006; paperback, pp. 193, 22 b/w ill., 98 col. plates, cm 17x24.

FREE (cover price: € 25.00)

Storia delle arti figurative a Faenza. I. Le origini

Storia delle arti figurative a Faenza. III. Il Rinascimento. Pittura, miniatura, artigianato

Faenza, 2009; paperback, pp. 296, 225 b/w and col. ill., 225 b/w and col. plates, cm 17x24.

FREE (cover price: € 30.00)

Storia delle arti figurative a Faenza. III. Il Rinascimento. Pittura, miniatura, artigianato

Il Cinquecento. Parte Prima

Faenza, 2015; paperback, pp. 332, b/w and col. ill., cm 17x24.
(Storia delle Arti Figurative a Faenza).

FREE (cover price: € 40.00)

Il Cinquecento. Parte Prima

chiudi

Bernard Venet. Performances, etc. 1961-2006

Bernard Venet. Performances, etc. 1961-2006

Edizioni Charta

English and French Text.
Milano, 2006; clothbound, pp. 242, b/w and col. ill., cm 24x28.

ISBN: 88-8158-599-5 - EA7N: 9788881585991

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Photography,Sculpture

Period: 1960- Contemporary Period

Places: No Place

Extra: New Media

Languages:  english, french text   english, french text  

Weight: 1.45 kg


The work of Bernar Venet is multiple. His sculptures were displayed in the most important capitals across the globe, but soon afterwards, he also included the interaction of various disciplines-performance, music, poetry, photography, video-that has been able to enrich the elaboration of the concepts that characterize his work. In 1961, just a few months after the historic act of Yves Klein, by hurling himself into the void, Bernar Venet created Performance dans les detritus. In the monograph he wrote on the artist in 2003, Thomas McEvilley pointed out the relevance and lucidity of this act. Venet, in 1968, took part in the historic adventure of the Judson Church Theater in New York, following Rauschenberg, Robert Morris, and Carolee Schneeman. His 1968 performance with scientists is praised even today by Roselee Goldberg, who describes Venet, and his performance, "as a pioneering and critical conceptual artist, while showing his contribution to performance history." In 2002, the Centre Pompidou allowed the artist to show Paris the wealth of his research in various disciplines that represent the uniqueness of his work. Roselee Goldberg has invited Bernar Venet to take part in PERFORMA05, which will be held this fall in New York.

€ 12.00
€ 59.00 -80%

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci