Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Sturtevant. Push and Shove
Edizioni Charta
New York, Perry Rubenstein Gallery, May 6 - June 18, 2005.
New York, Perry Rubenstein Gallery, 6 maggio - 18 giugno 2005.
Milano, 2024; paperback, pp. 112, 100 col. ill., cm 21x28.
ISBN: 88-8158-544-8 - EAN13: 9788881585441
Subject: Cinema
Period: 1960- Contemporary Period
Places: No Place
Languages:
Weight: 0.39 kg
Mainly absent from the art scene in the 70s, Sturtevant reemerged in the 80s, and has adhered to her rigorous conceptual strategy ever since, even re-creating Paul McCarthy's fabulously grotesque video performance, The Painter in 2002.
Exploring notions of originality, replication, and simulacra, Sturtevant's work has been a meditation on as much as a provocation of such concepts, and has continued to garner attention in her 40 years of practice in the fields of art history and philosophy. Included here are images of her re- installation of Marcel Duchamp's 1,200 coal bags at New York's Perry Rubinstein Gallery--is it a Duchamp, or is it a Sturtevant?--and stills from her 1967 film, Nude Descending a Staircase.
Also represented is the artist's seven-channel video installation from 2003,
Out of Catalog










