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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Giancarlo Marchese. Echi di luci-Echoes of light

Giancarlo Marchese. Echi di luci-Echoes of light

Edizioni Charta

Teglio, Palazzo Besta, July 10 - September 10, 2004.
Edited by Tedeschi F.
Italian and English Text.
Milano, 2004; paperback, pp. 86, 21 b/w and col. ill., cm 21x27.

ISBN: 88-8158-481-6 - EAN13: 9788881584819

Subject: Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts)

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period,No Period

Places: No Place

Languages: english, italian text   english, italian text  

Weight: 0.48 kg


Giancarlo Marchese (b. 1931, Parma) combines an intimate knowledge of materials and methods with the desire to transform the perception of their plastic value. His many years of teaching at Brera Academy, where he studied under Luciano Minguzzi and Marino Marini, embodied this polarity.
At the beginning of the eighties, to satisfy the need to express the sense of emptiness in sculpture, he juxtaposed glass with bronze, inventing new transparencies and illusory depths; later on he substituted bronze with cast iron.
Marchese designs sculptures for city spaces and openair structures, which came into their own in the early nineties.

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