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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Ottonello

Edizioni Charta

Translation by Mundell J.
Cagliari, Teatro Lirico, 9 gennaio - 9 aprile 2004.
Italian and English Text.
Milano, 2003; paperback, pp. 63, 3 b/w ill., 34 col. plates, cm 21x28.

ISBN: 88-8158-469-7 - EAN13: 9788881584697

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Places: No Place

Languages:  english, italian text   english, italian text  

Weight: 0.36 kg


An artist in love with his land, Sardinia, makes his debut in the art world as a stage and costume designer and actor but later, he chooses painting as his means of expression. He begins to work with a material he knows well: tarlatan (cloth used in sets). After that, while exploring some of the island's industrial terrain, he falls in love with slag-heaps, with sand colored by zinc and lead powder and red clods of earth. Gradually, his concern about the environment and worries about the inexorable process of desertification provoked by climate change increase. All this is reflected in his work. Now Ottonello uses only natural pigments and, as he incessantly roams the island, he collects all the material he uses in his work himself, from eucalyptus bark to bamboo, from sea urchins to mahogany flowers.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci