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DEAL OF THE DAY

Bernardino Luini. Catalogo generale delle opere

Edited by Cristina Quattrini.
Torino, 2020; hardback, pp. 544, b/w ill., b/w and col. plates, cm 22x31,5.
(Archivi di Arte Antica).

cover price: € 160.00

Bernardino Luini. Catalogo generale delle opere

Total price: € 160.00 € 840.00 add to cart carrello

Books included in the offer:

Dosso Dossi (1489-1542). La Pittura a Ferrara negli Anni del Ducato di Alfonso I

Edited by Romani V. and Pattanaro A.
Cittadella, 1995; 2 vols., paperback in a case, pp. 1500, b/w and col. ill., cm 25x34.
(Università di Padova. Dipartimento di Storia delle Arti Visive e della Musica. Pittura del Rinascimento nell'Italia Settentrionale. 1).

FREE (cover price: € 680.00)

Dosso Dossi (1489-1542). La Pittura a Ferrara negli Anni del Ducato di Alfonso I

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Giulio Paolini. In Extremis

Edizioni Charta

Como, ex chiesa di San Francesco, July 4 - July 25, 2002.
Italian and English Text.
Milano, 2003; paperback, pp. 148, 30 b/w ill., 50 col. ill., cm 14,5x21.
(Arte contemporanea).
(Fondazione Antonio Ratti. Quaderni del Corso superiore di arte visiva. 7).

series: Arte contemporanea. Quaderni del Corso superiore di arte visiva

ISBN: 88-8158-405-0 - EAN13: 9788881584055

Subject: Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts)

Period: 1960- Contemporary Period

Places: No Place

Languages:  english, italian text   english, italian text  

Weight: 0.42 kg


Giulio Paolini (Genoa 1940) lives in Turin and Paris. Active since the early 60s, he has often been identified with Arte Povera, though his exploration is more identifiable to the realm of Conceptual art; he has carried out projects in numerous museums in Italy and elsewhere, and has taken part in the most important exhibitions of international contemporary art; his work features in the leading museum collections throughout the world. Paolini's work has always been directed towards an analysis of the instruments and language of artistic activity. The various techniques that he uses, ranging from collage to photography, enable him to re-examine a vast repertoire of images, quotations from a past that renews itself and regains immediacy through reflection on itself. "In Extremis" is an exploration of the idea of representation and of the opportunity and rules that determine its development. After the downfall of the figurative object, fragments remain, the ruins that evoke its absence. "In Extremis" is also the theme of the workshop conducted by Paolini as visiting professor for the Advanced Course of Visual Art at the Fondazione Antonio Ratti in Como. This book documents the series of lessons, the students' work and the end-of-course exhibition.

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