Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
cover price: € 80.00
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Books included in the offer:
Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
FREE (cover price: € 80.00)
Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento
Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.
FREE (cover price: € 77.00)
Segni dell'Eucarestia
Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.
FREE (cover price: € 32.00)
Valerie Belin
Damiani
English Text.
Bologna, 2016; paperback, pp. 288, col. ill., cm 21x27.
ISBN: 88-6208-511-7 - EAN13: 9788862085113
Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Photography
Period: 1960- Contemporary Period
Languages:
Weight: 1.62 kg
French photographer Valérie Belin (born 1964) explores matter, the body, the living and the artificial?and the representations of all of these fraught categories?in a body of uncanny photographic work characterized by a fascination with light, detail and surface texture. Valérie Belin presents a survey of the artist's work since 2007, including her most recent series, All Star, a series of portraits of ghostly female figures that cut a vague, melancholy presence against cheery backgrounds derived from comic books. Coming on the heels of the photographer's celebrated retrospective at the Centre Pompidou, this volume includes a text by Quentin Bajac, Curator of Photography at The Museum of Modern Art, New York, and offers an immersion into Belin's rare and unusual body of work that presents a photography of confusion and absence, where backgrounds are brought forward in front of their ostensible subjects and models and mannequins become indistinguishable.









