Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
cover price: € n.d.
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Books included in the offer:
Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
FREE (cover price: € n.d.)
Le nuove boutique. Moda e design
Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.
FREE (cover price: € 43.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova
Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).
FREE (cover price: € 6.00)
Alta Moda, Grande Teatro
Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.
FREE (cover price: € 22.00)
Terzo paesaggio. Fotografia italiana oggi. XXIII edizione premio nazionale arti visive città di Gallarate. [Edizione italiana e inglese]
Damiani
Gallarate, GAM - Civica Galleria d'Arte Moderna di Gallarate, 7 marzo - 14 giugno 2009.
Italian and English Text.
Bologna, 2009; paperback, cm 28,5x24,5.
ISBN: 88-6208-095-6 - EAN13: 9788862080958
Subject: Photography
Period: 1960- Contemporary Period
Places: Italy
Languages:
Weight: 0.8 kg
The outlook of te 11 artist present towards reality, and which is passed on to us through their works, albeit linguistically characterised by a precise identity, often focus on somewhat marginal, hidden situatiuons, apparently little visible to the distracted gaze or that otherwise bombarded with aggressive and redundant imagery.
It is thus a gaze cast towards the territories of diversity, of the visual and emotional residues largely relegated to non-spectacular and rather lateral landscape situations.
This very idea of marginality, this attention to the unseen and unsaid, to residual elements and spaces which, being residual, play host to diversity and life, is the common thread linking the works on show.











