Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Terzo paesaggio. Fotografia italiana oggi. XXIII edizione premio nazionale arti visive città di Gallarate. [Edizione italiana e inglese]
Damiani
Gallarate, GAM - Civica Galleria d'Arte Moderna di Gallarate, 7 marzo - 14 giugno 2009.
Italian and English Text.
Bologna, 2009; paperback, cm 28,5x24,5.
ISBN: 88-6208-095-6 - EAN13: 9788862080958
Subject: Photography
Period: 1960- Contemporary Period
Places: Italy
Languages:
Weight: 0.8 kg
The outlook of te 11 artist present towards reality, and which is passed on to us through their works, albeit linguistically characterised by a precise identity, often focus on somewhat marginal, hidden situatiuons, apparently little visible to the distracted gaze or that otherwise bombarded with aggressive and redundant imagery.
It is thus a gaze cast towards the territories of diversity, of the visual and emotional residues largely relegated to non-spectacular and rather lateral landscape situations.
This very idea of marginality, this attention to the unseen and unsaid, to residual elements and spaces which, being residual, play host to diversity and life, is the common thread linking the works on show.










