LATEST ART BOOKS
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Giulio Paolini
Damiani
Edited by Coen E., Grigolo G. and Ottani Cavina A.
Italian and English Text.
Bologna, 2008; paperback, 60 b/w and col. ill., cm 22x22.
ISBN: 88-6208-045-X - EAN13: 9788862080453
Subject: Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts)
Period: 1960- Contemporary Period
Languages: 
Weight: 0.44 kg
Often associated with the arte povera movement, he is distinguished by artistic practices that belong to a more strictly conceptual context (...) Paolini developed complex research centred as much on the tools of artistic creation as on the figure of the artist as language operator and the spectator's accomplice. Marked by a declared theatricality his works stage the awaiting of an unknown image which, in search of a model at once new and ancient, constantly eludes its own definition. Citation, duplication and fragmentation - employed as expedients for staging the distance from the finished model and for making the work a "theatre of evocation" - are among the main features of his modus operandi
