Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Raffaella Sgubin, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
cover price: € 33.00
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Books included in the offer:
Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Raffaella Sgubin, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
FREE (cover price: € 33.00)
Parodie del design. Scritti critici e polemici
Torino, 2008; paperback, pp. 94, 8 b/w ill., cm 12,5x19,5.
FREE (cover price: € 12.00)
Moda e modi. Stile e costume in Italia 1900-1960
Arezzo, Basilica di San Francesco, March 24 - November 4, 2018.
Roma, 2018; paperback, pp. 96, col. ill., cm 21,5x21,5.
FREE (cover price: € 25.00)
Gli italiani e la moda. 1860-1960
Stra, Museo Nazionale di Villa Pisani, April 8 - November 1, 2017.
Edited by Alberto Manodori Sagredo.
Roma, 2017; paperback, pp. 94, b/w ill., cm 16x23.
FREE (cover price: € 15.00)
Giulio Paolini
Damiani
Edited by Coen E., Grigolo G. and Ottani Cavina A.
Italian and English Text.
Bologna, 2008; paperback, 60 b/w and col. ill., cm 22x22.
ISBN: 88-6208-045-X - EAN13: 9788862080453
Subject: Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts)
Period: 1960- Contemporary Period
Languages:
Weight: 0.44 kg
Often associated with the arte povera movement, he is distinguished by artistic practices that belong to a more strictly conceptual context (...) Paolini developed complex research centred as much on the tools of artistic creation as on the figure of the artist as language operator and the spectator's accomplice. Marked by a declared theatricality his works stage the awaiting of an unknown image which, in search of a model at once new and ancient, constantly eludes its own definition. Citation, duplication and fragmentation - employed as expedients for staging the distance from the finished model and for making the work a "theatre of evocation" - are among the main features of his modus operandi










