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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Paesaggi interposti. Landscapes in between

Damiani

Italian and English Text.
Bologna, 2008; paperback, pp. 260, b/w and col. ill., cm 26x26.

ISBN: 88-6208-038-7 - EAN13: 9788862080385

Subject: Collections,Photography

Places: Friuli Venezia Giulia

Languages:  english, italian text   english, italian text  

Weight: 0.62 kg


Paesaggi interposti is the result of the activity of La Città Complessa cultural association with the participation of six photographers of international renown, who have focused our attentionion on the countryside of the city of Pordenone: Andrea Botto, Alberto Cadin, Marco Citron, Danilo Donzelli, Maurizio Montagna e Marco Signorini.
Curator Giovanni De Roia writes in the introduction: Paesaggi interposti is a part of the tradition of commissioned photographic works as a vehicle for interpreting the landscape, as suggested by numerous historical experiences, including Mission Heliographique in 1851 in France or the photographic projects carried in the United States in the 1930s by the FSA. (...) The aim of a photographical project in the Province of Pordenone is to bring to light the specific aspects of the territory; it is a diagnostic tool that, in certain cases, may suggest future scenarios for the countryside. On the one hand, the documentary nature of photography and, on the other, the multiple observation of the subject (never seen, or perhaps always seen but never observed), with different viewing angels and sensitivities, allow us to interpret the current process of transformation and the permanent features of the landscape. The more themes and viewpoints that are proposed, the richer will be the results of the research.

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