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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

Renata Boero

Carlo Cambi Editore

Ischia, Castello Aragonese di Ischia, July 30 - September 25, 2011.
Edited by Pasquali M.
Italian and English Text.
Poggibonsi, 2011; paperback, pp. 180, b/w and col. ill., cm 21,5x28.

ISBN: 88-6403-099-9 - EAN13: 9788864030999

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 1.08 kg


Over the years, Renata Boero, an artist with great depth who has received considerable critical attention, has executed many important series of paintings - including Specchi (Mirrors), Blu di legno (Wood Blue), Enigmi (Enigmas), Architetture (Architectures), Acquerelli di San Diego (San Diego Watercolours) and Germinazioni (Germinations) - all of which have been carefully balanced on the tightrope of research or the dizzy heights of experimentation.
The underlying structure of her work - what might be described as the grammar of her painting, recognized by all the critics and admirers of her art - is undoubtedly represented by the Cromogrammi (Chromograms), works produced from 1970 onwards and always present in her output. They are, in fact, a pictorial invention that she has neither abandoned nor concluded thanks to the semantic fullness and the countless combinatory potentialities they contain: in other words, they are a cornucopia from which, little by little, the artist judiciously allows flashes of light, echoes, tastes, pearls and perfumes to emerge.
What one is immediately aware of is the synaesthetic quality of these pictures that, still today, many years after they were painted, call to mind earth and nature.

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