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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Renata Boero

Carlo Cambi Editore

Ischia, Castello Aragonese di Ischia, July 30 - September 25, 2011.
Edited by Pasquali M.
Italian and English Text.
Poggibonsi, 2011; paperback, pp. 180, b/w and col. ill., cm 21,5x28.

ISBN: 88-6403-099-9 - EAN13: 9788864030999

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 1.08 kg


Over the years, Renata Boero, an artist with great depth who has received considerable critical attention, has executed many important series of paintings - including Specchi (Mirrors), Blu di legno (Wood Blue), Enigmi (Enigmas), Architetture (Architectures), Acquerelli di San Diego (San Diego Watercolours) and Germinazioni (Germinations) - all of which have been carefully balanced on the tightrope of research or the dizzy heights of experimentation.
The underlying structure of her work - what might be described as the grammar of her painting, recognized by all the critics and admirers of her art - is undoubtedly represented by the Cromogrammi (Chromograms), works produced from 1970 onwards and always present in her output. They are, in fact, a pictorial invention that she has neither abandoned nor concluded thanks to the semantic fullness and the countless combinatory potentialities they contain: in other words, they are a cornucopia from which, little by little, the artist judiciously allows flashes of light, echoes, tastes, pearls and perfumes to emerge.
What one is immediately aware of is the synaesthetic quality of these pictures that, still today, many years after they were painted, call to mind earth and nature.

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