Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Esther Mahlangu. I colori della mia tribù
Carlo Cambi Editore
Calenzano, St.Art Eventi s.c.r.l, May 28 - June 27, 2010.
Calenzano, St. Art Eventi s. c. r. l, May 28 - June 27, 2010.
Edited by Sarenco Fondazione.
Italian and English Text.
Poggibonsi, 2024; paperback, pp. 52, col. ill., cm 24x22.
ISBN: 88-6403-053-0 - EAN13: 9788864030531
Subject: Collections,Essays (Art or Architecture),Monographs (Painting and Drawing),Painting
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 0.22 kg
In the rooms of St.Art Events in Calenzano we can appreciate the brilliant paintings of this African woman rooted in the territory of her Ndebele villages in South Africa.
Esther Mahlangu is a work of art in herself, just as much as her fascinating paintings: she tours the world with neck-lengthening copper rings, copper bracelets around her ankles, coloured beaded crowns on her head, and a highly coloured bead-decorated cover around her body, both in summer and winter. Her art and her life are an extraordinary example of the defence of autochthonic cultures, which have never accepted being part of this omnivorous and all-absorbing context of planetary globalization.










