Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
(Im)material Michelangelo. Toward a Visual Historiography of Sculpture Between Reproduction and Art-Historical Enquiry
Campisano Editore
Edited by Daniele Di Cola and Giulia Daniele.
Italian and English Text.
Roma, 2024; paperback, pp. 192, 80 b/w and col. ill., cm 16x24.
(Quaderni della Bibliotheca Hertziana. 13).
series: Quaderni della Bibliotheca Hertziana.
EAN13: 9791280956422
Subject: Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts),Sculpture
Period: 1400-1800 (XV-XVIII) Renaissance
Languages:
Weight: 0 kg
Michelangelo's peculiar way of dealing with materials - his habit of overtly exposing the traces of his working process, his uneven treatment of the surfaces, and his use of fragmented or sketched elements, as described by the well-known poetics of the non finito - raised specific problems and made it necessary to 're-mediate' the originals' materiality. Because of Buonarroti's uninterrupted legacy, the volume considers the continuous mutation of his works' reception over time: from ??th century copies to the miniaturized, decorative, reproductions made in Rodin's time; from the illustrations of Sigmund Freud's essay on the Moses to the photographs published by Erwin Panofsky in his studies on Michelangelo; from video footage in films to worldwide exhibitions, where replicas of the Vatican Pietà are often displayed and admired almost like new originals.
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