Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Il disegno tra Napoli, Firenze e Roma ai tempi di Salvator Rosa
Area Blu Edizioni
Museo Civico Gaetano Filangieri - Atti del Convegno Internazionale di Studi, Napoli, May 26 - May 28, 2016.
Edited by Farina Viviana.
Italian and English Text.
Cava De' Tirreni, 2018; hardback, pp. 304, 329 col. ill., 48 col. plates, cm 21x29.
ISBN: 88-98660-76-6 - EAN13: 9788898660766
Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures)
Period: 1400-1800 (XV-XVIII) Renaissance
Extra: Baroque & Rococo
Languages:
Weight: 1.63 kg
Seventeen essays deal with some aspects, the most unknown, about drawing in ltaly, curated by masters who worked in the three towns where the neapolitan Salvator Rosa's ( 1615-1673) artistic life took piace.
They were a kind of innovation for Rosa's and other related artist's development (Fracanzanos, Spadaro) and also for the growth of other leading masters of that age whose expression touched different but related artistic areas (Bernini, Commodi, Lanfranco, Maratti, Mola, Preti, Ribera, Stom etc).
Contributes by: Alessandro Agresti, Stefano Causa, Sandra Debono, Mario Epifani, Viviana Farina, Nathalie Lallemand-Buyssens, Catherine Loisel, Loredana Lorizzo, Claudio Malice, Annamaria Petrioli Tafani, Francesco Petrucci, Yuri Primarosa, Gianluca Puccio, Furio Rinaldi.










