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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 144.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 56.00)

Caravaggio. La Cappella Contarelli

chiudi

Traveling lights

Damiani

English Text.
Bologna, 2015; paperback, pp. 84, ill., cm 28x28.

ISBN: 88-6208-387-4 - EAN13: 9788862083874

Subject: Collections,Photography

Languages:  english text  

Weight: 1 kg


Traveling Lights is the second in a series of five projected volumes of Xavier Guardans's (born 1954) long-term photographic projects. In this publication, 40 photographs are selected from more than 200 in Guardans' ongoing photographic series investigating light. The series began in Egypt in 2004 and was developed in 14 countries, including Kenya, Belize, China, Senegal, Vietnam, Spain and the US, among others. The images are arranged so that a visual narrative is weaved through seemingly disparate environments: stone mineral deposits found in the glaciers of Patagonia are juxtaposed with dried bush photographed in Mexico, creating complex textures and connections. The effects of light unite photographs taken of various subjects around the world into a coherent series. "Photography is painting with light," Guardans notes. "Everything else comes after that."

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