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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Friedrich

Phaidon Press Limited

English Text.
London, 2004; paperback, pp. 351, ill., cm 22,5x22,5.
(Art & Ideas).

series: Art & Ideas

ISBN: 0-7148-4060-2 - EAN13: 9780714840604

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Period: 1800-1960 (XIX-XX) Modern Period

Languages:  english text  

Weight: 0.702 kg


Caspar David Friedrich (1774-1840) is now recognized as a leading artist of the German Romantic movement of the early nineteenth century. He is known as the painter of images of a strange and compelling beauty: mysterious landscapes with barren trees, figures silhouetted against the evening sky, and gothic ruins in wintry mists. The meaning of these pictures has long been disputed, but William Vaughan argues that Friedrich's aim was to convey the spiritual experience of life. For Friedrich, the contemplation of nature can lead us to understand the deeper meaning of things. In this stress on feeling, and focus on landscape, Friedrich was very much the product of his times.

In this captivating book, William Vaughan discusses all aspects of the artist's life and career, from his childhood as the son of a soapmaker in Pomerania, to his adulthood in Dresden, where he achieved such fame that his paintings were bought by the Prussian royal family and the Russian Tsar. Friedrich's radical political sympathies, however, were to affect his reputation and, as the author reveals, it was only in the late twentieth century that the enigmatic quality of his paintings began to be fully valued and he gained truly international recognition.

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