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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Francesco Clemente. Three Rainbows

Edizioni Charta

New York, Deitch Projects, May 2 - May 30, 2009.
New York, Deitch Projects, 2 maggio - 30 maggio 2009.
English Text.
Milano, 2009; bound, pp. 32, 17 col. ill., cm 30x21.
(Arte Contemporanea).

series: Arte Contemporanea

ISBN: 88-8158-745-9 - EAN13: 9788881587452

Subject: Collections,Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 0.43 kg


Francesco Clemente's new Three Rainbows project had a prolonged gestation; for years he had wanted to use watercolor and to paint rainbows, but only recently did the moment ripen. Three Rainbows began as three 60-foot long rainbow paintings--probably the largest watercolors ever made. For Clemente, whose attraction to given forms (such as the mandala) has long formed an integral part of his iconography, the rainbow suggests a number of important interpretations: it is a bridge (and therefore a structure that brings things together), a phenomenon that occurs after a period of darkness (Clemente's works of recent years had darkened noticeably) and a reversible image capable of leading the eye in opposite directions. The artist's affinity for watercolor derives in part from the medium's immediacy--an ideal vehicle for Allen Ginsberg's "first thought, best thought"--and these works betray his spontaneity and joy in making them.

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